Anderson’s Artworks

Todd Anderson’s practice integrates current climate science, scholarly research, collaboration with scientists, fieldwork in remote regions of the world, and the creation of artwork in his home studio. His fieldwork—conducted in locations such as Africa, the Arctic, Antarctica, and the deserts of the American West—is expeditionary in nature, requiring physical endurance and months of preparatory planning. While some environments necessitate the support of logistical teams, Anderson’s methodology is largely informed by contemporary alpinism and leave-no-trace ethics: traveling light, moving fast, and working in small, self-sufficient groups.

 Reflecting on his practice, Anderson states, “Knowledge alters perception, and my aim is to contextualize my subject matter—whether a threatened tree species or a retreating glacier—within broader scientific and intellectual frameworks.” His artwork is often presented alongside scientific and philosophical essays written by project collaborators, which provide additional insights into the realities of global heating. “Glacial ice melts and is no longer replenished in kind. Tree species adapt to aridification or perish,” he explains. “These truths demand new ways of understanding the world and our place within it. The primary goal of my practice is to deepen our shared perceptions of nature and, in doing so, contribute to how we might frame and address the climate crisis.”

 Anderson’s limited-edition prints—be they woodcuts or photographs—are all original works of art. While rooted in Western fine art printmaking and photographic traditions, his aesthetic is also inspired by the 17th–19th century Japanese ukiyo-e (“images of the floating world”) movement, which sought to reconnect humanity with the natural world while critiquing societal priorities. “One of my central goals is to make the artwork accessible to a broad and diverse audience,” Anderson says. “To that end, I strive to avoid didacticism and overt political messaging.” He wants his work to meet viewers where they are: “If my artworks could speak, they would say, ‘Here is a glacier, an iceberg, a tree, or an environment—rendered with care and precision. Let’s first agree on the beauty and wonder of this subject and then consider how global heating not only threatens these things but also exacts emotional and spiritual costs on humanity.’”

 Engaging directly with the genre of landscape art, Anderson does not hold back: “Landscape-based art, be it photography or printmaking, is evolving. I want to be part of that evolution. To remain relevant in the 21st century, the genre must challenge sentimental and traditional representations.” A consistent feature of Anderson’s artworks are the use of first-person perspectives and representational imagery. “These formal strategies are intended to give the artwork a photojournalistic sensibility,” he explains, “conveying the messages: ‘this is so’ and ‘what you see is real.’”

 A master printer by training and a craftsperson at heart, Anderson meticulously sketches, refines, hand carves, and prints onto traditional washi each of his artworks over a period of four to six weeks. His photographs are likewise curated through lengthy consideration. His collaborative projects—often involving interdisciplinary teams—unfold over the course of two years or more.

Anderson’s artworks are available for purchase in several locations—see Affiliations at the top of this page for details. For inquiries about speaking engagements, workshops, questions, or additional information contact Anderson directly at ToddAndersonArtist@gmail.com